Artist, writer and creative catalyst Makoto Fuijmura creates and advocates beauty in a world often soured by cynicism and doubt. This week, he opens his first solo exhibition in mainland China, "Soliloquies," at twocities.
How did you get into the Nihonga technique?
I received a Japanese National Fellowship in 1987 and studied in Japan for 6 1/2 years. I noted my interest in traditional Japanese painting, so they placed my at Tokyo University of Fine Arts Nihonga Department. On the first day, when I saw the materials used, I felt right away that I had found materials that I had been searching for all my life.
What makes you most passionate about your work?
Being a bridge between the invisible reality and the visible; to spend time creating beauty.
What is a piece of advice you'd give to young artists?
Pursue your "first love" to create, rather than become what society, or your schooling, expect you or desire for you to become. Create in love.
How do you contribute to building the "good city" in what you do?
Paintings are the maps of the good city.
If you could describe Shanghai in one word, what would it be? Why?
I call it "Wild East." It's a fantastic cultural estuary.
Makoto gives a lecture on "New Nihonga" this Thursday at 7:30 pm. "Soliloquies" opens Saturday, with an opening reception from 4:00 to 6:00 pm.
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